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Sinach Osinachi Kalu Sued Over Publishing Rights for Gospel Hit ‘Way Maker’: Key Details Unveiled
The Legal Battle Over ‘Way Maker’ Publishing Rights
Nigerian gospel artist Sinach, known for her chart-topping hit “Way Maker”, is embroiled in an N5 billion lawsuit over alleged copyright infringement.
Music producer Michael Oluwole, also known as Maye, has taken legal action, claiming co-ownership of the iconic gospel song that has resonated worldwide.
The case, now adjourned to January 2025, highlights ongoing challenges in music publishing rights within the Nigerian music industry.
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What Sparked the Controversy?
Way Maker, released in 2016, became a global sensation, earning awards and topping charts, particularly during the COVID-19 pandemic.
However, Oluwole, who served as the studio engineer for the track, alleges that his contributions, including recording, mixing, and performing instrumental accompaniments, were not adequately recognized.
Oluwole contends that there was no formal agreement transferring his performer’s rights, leaving him excluded from the song’s substantial financial gains.
In his suit, he seeks a declaration of co-ownership, equitable sharing of royalties, and N5 billion in damages for cumulative rights violations.
Sinach’s Defense
Sinach, born Osinachi Kalu Okoro Egbu, refutes Oluwole’s claims, asserting sole authorship of Way Maker.
According to her, the song was already composed and arranged before Oluwole’s involvement, and his role was limited to mixing the master recording—a service for which he was compensated $300.
Her legal team argues that there was no obligation to formalize a written agreement and that Oluwole’s contributions do not grant him performer’s rights, royalties, or publishing ownership.
The Stakes for Nigeria’s Gospel and Music Industry
This case shines a spotlight on the often-ambiguous nature of music publishing rights in Nigeria.
While global artists adhere to robust contractual agreements, Nigerian producers and songwriters frequently face exploitation due to undefined copyright structures.
Legal experts suggest that this case could establish a precedent, ensuring fair compensation for contributors to successful musical works.
“The absence of a written agreement works in favor of Oluwole,” notes his lawyer, Justin Ige, emphasizing that the performer’s rights can still be claimed without explicit documentation.
What Lies Ahead?
As the trial progresses, the outcome could redefine how music producers and contributors are acknowledged in Nigeria.
Oluwole seeks not only financial compensation but also psychological closure for being excluded from the success of a song he helped bring to life.
Sinach, however, maintains her stance as the sole creator, with her team expected to present a robust defense when the case resumes in January 2025.
